In typical rape-revenge scenarios starting all the way back withCharles Bronson in Death Wish, Sam Peckinpahs Straw Dogs, Wes CravensThe Last House on the Left and its recent remake, most times a man is a central part of the eventual revenge which takes place. Briony Tallis, 13 years old and enthralled by the power of storytelling ("you had only to . [12] On Metacritic, which assigns a normalized rating to reviews, the film has a score of 56 out of 100, based on reviews from 18 critics. Hell need to travel to Paris to prepare a meal for the man, however, if hes to win the post. It isnt heavily sexual, despite them dating, but information technology all the same has all the intimacy that is expected with ii characters or people having sex. One which is on the up and up thanks to her ability to socialize, simply it hasnt been all daisies and macaroons. Privacy Policy As we all know, Hollywood is a superficial industry and a cute face and existence likable on set up can keep a adult female working for a hell of a long fourth dimension. Its also the complete and total opposite of what Frank & Lola really is. 2016 | Maturity Rating: TV-MA | 1h 27m | Thriller Movies. "[3], In February 2014, it was announced Lola Pictures, Killer Films, Parts and Labor, and Preferred Content joined to produce the film, with Jan Van Hoy, Lars Knudsen, Christine Vachon, Kevin Iwashina, and John Baker to produce the film. He gets into a fight, vomits on the floor and even makes a drunken call to Ale. This 10-digit number is your confirmation number. Luckily, Max guides her through different tasks, such as building wire fences, feeding the sheep, cleaning the pens, and also, scooping sheep manure to make fertilizer. [7], The film had its world premiere at the 2016 Sundance Film Festival on January 27, 2016. She tells him that contrary to what he may have believed, she is not interested in his money or social status, and his dishonesty has changed everything between them. Starring Michael Shannon and Imogen Poots in the titular roles, respectively, the film is a blend of modern noir and romance. Director and writer Matthew Ross brings his debut feature to the screen with Frank & Lola. Frank, a chef in Las Vegas, meets and falls in love with Lola, a mysterious young woman who is new to the city. The movie is at its best when jealousy is welling up in Frank, and Lola is feeling a combination of shame and resentment at the notion that she's responsible for his anger. In this waste of time, he plays Frank, a neurotic chef in Las Vegas who is sexually involved with a recent college grad and aspiring fashion designer named Lola (Imogen Poots). A young girl falls for an older man, a stable human, and she tries to adapt to such a life after living with instability for years. Impressed that Frank is a "fan", he invites him back to his place for a drink. Desperate to convince Hazel, she agrees to work as a temporary jillaroo (ranch hand) under Max at the farm, to prove her mettle. RELATED: How To Get Away With Murder: The 10 Worst Things Annalise Ever Did. When Max comes to apologize to Lola later, he gives her another surprise by revealing that he has become an active partner in Vaughn Family Wines and has convinced Hazel to take on Lolas company as their exclusive importer. "[3] Ross believes the Vegas setting made for a better film, adding, "Yes, it took eight years to get the film made, but I also got to really refine the script. graduate with a concentration in pre-19th century literature from Memorial University of Newfoundland. The specifics of their courtship are mostly elided. Later, we move into gloomy streets covered in the same shadows, although now backlit by the neon lights of Vegas. Ross is aiming for woozy poetry, filling the screen with close-ups of Franks tortured face and shots of Lola dressed to the nines, glittering in the fleeting light of rarefied, cavernous Vegas haunts. Copyright 2023 Meredith Corporation. Welcome to the Quantum Realm. Lola further refrains from contacting Max, as she is still upset over what he did as well as how little he did to stop her from leaving. Just below that it reads "Ticket Confirmation#:" followed by a 10-digit number. While the character of Lola in particular calls to mind the women of Alfred Hitchcocks mysteries, or someone Raymond Chandler would writeopposite Philip Marlowe, its the visuals which ground us in a world of modern noir. Ultimately the film speaks to the question of truly wanting to trust the person you are in love with and that very something that keeps you from fully being able to. Coming Soon. The Circus: Inside the Greatest Political Show on Earth: Season 8, The Lord of the Rings: The Rings of Power: Season 1, Link to Marvel Movies Ranked Worst to Best by Tomatometer, Link to The 5 Most Anticipated Movies of March 2023. Matthew Rosss Frank & Lola is about an adult male grappling with the mind-blowing revelation that his girlfriend had a sexual life before him. One night, Frank is hired to cook dinner for Keith, who, impressed with his culinary skills, flies him out to Paris for a trial with a French restauranter. With Frank & Lola, writer/director Matthew Ross has made a truly great piece of work. Cinemark The triumph of getting past Lolas abuse is hers to reach. Frank & Lola occasionally benefits from the weird energy shared between Michael Shannon and Imogen Poots. Is Waratah Station a Real Sheep Ranch. Seeing her progress, Max allows her to learn sheep shearing firsthand and gifts her a new hat in appreciation. Its the mode they await at each other, trying to figure out the others thoughts, trying to see if what they are saying will be taken well, rejected, or admired. Berlinale 2023 Highlights, Part Two: Reality, Manodrome, The Adults, Inside, Golda, Angela Bassett, Jamie Lee Curtis, Brendan Fraser, Cate Blanchett, Colin Farrell and Brendan Gleeson Feted at SBIFF 2023, Revisiting Martin Scorsese's Alice Doesn't Live Here Anymore, Tragically Common: Jamie Dack, Lily McInerny and Jonathan Tucker on Palm Trees and Power Lines. Because what an audience of men specifically need to understand, alongside Frank, is that the assault or rape of a woman has nothing to do with the next man shes with, it only has to do with her. With Frank & Lola now in select theaters and available on Digital HD and On Demand, I recently had the pleasure of hopping on the phone with Michael Shannon to talk about his part in the movie . this link is to an external site that may or may not meet accessibility guidelines. What starts as a look at the beginning of a relationship evolves gradually into a rumination on everything, from the effects of sexual assault on relationships to the futility of revenge. Its also a fresh take on the concept of how people manage to heal, or whether they do at all, following tragedy. There's something missing here, something big, something that would have tied up all the film's finer qualities into a coherent whole. Click the AdBlock Plus button on your browser and select Disable on Observer.com. Writer/director Matthew Ross originally wrote the script nearly a decade before the film was shot. After the trial, Bonnie is standing next to Annalise and is the first to notice Frank was heading towards the Governor. To view the purposes they believe they have legitimate interest for, or to object to this data processing use the vendor list link below. At the same time, Calder loses Hazels contract due to his poor work ethic, but Lola decides to not go after her and looks for fresh clients. A young girl falls for an older man, a stable human, and she tries to adapt to such a life after living with instability for years. When Lola receives a job as a fashion designer, Frank becomes jealous of her boss, Keith Winkleman, even though Keith makes it clear that he does not make a habit of sleeping with his employees. Excited at witnessing how Vaughn Family Wines functions, she comes up with a beautiful sketch of Sybylla Vaughn and suggests pitching it to Hazel as a bottle label design. She credits him with jump-starting a pattern of self-destructive sexual behavior, which includes an impulsive one-night stand at a hotel with a guy she admits means nothing to her (Frank is devastated). Together, Frank and Lola build an intense relationship that saves them from their mutual despair. Thats a perfect fit for Shannon, who is able with near-minimalist gestures to convey the inner distress of a man obsessed with a woman and bent on sweeping away all doubt about her fidelity. When talented chef Frank meets aspiring fashion. They won't be able to see your review if you only submit your rating. Shannon is too good for this nonsense, and Poots has got to do something about that disastrous name. Based off the life we see him take, his enjoyment doesnt necessarily come from people. It is this back and forth of never really being able to leave the other person no matter what is said and done for they got a concur on you. Did I enjoy the performances of this picture show? Frank goes to Paris, ostensibly to look into a potentially lucrative chef job set up by Lola's mother (Rosanna Arquette, overdoing the shallow self-regard and sexual voraciousness; when she tells Frank, "I can't wait to taste your food," I expected her to add a cartoon-y meow). Yes, Lola also manages to acquire Vaughn Family Wines as a client, but not without overcoming several hurdles. IMDb rating: 6.0 /10 (3,663 votes) Frank & Lola is a 2016 noir love story written and directed by Matthew Ross in his directorial debut, and . Yes, after a lot of trials and tribulations, Lola and Max end up together. At one pivotal juncture in the story, the protagonist is led to believe that his lover was once raped, and the viewer senses that he hopes this to be the case, so as to relieve himself of the possibility that she enjoys kink. As we do, we start unravelling the chest-thumping masculinity which drives Frank in how he responds to Lolas revelations of abuse. That thought lasts for about three minutes. Slowly, both women manage to score a few patrons for Salud Imports and start attending events. A few months later, she quits working with Calder and asks Lola for a second chance. Sometimes, in the movie business, even a bomb has perks. I discovered that there's a really cool and exciting, vibrant arts and culture scene there that's just been developing downtown. Despite everything that has happened between them, she relents and hires Audra into her company. How Marvel went big with Ant-Man and the Wasp: Quantumania. Otherwise, you may ane day exist going through their IMDB filmography and question if yall saw this movie and merely realize you did one time you read the synopsis or after rewatching the outset few minutes. Frank and Lola may not have the complexity of plot and sense of inevitable doom that marked much of the work of a noir master like Jim Thompson, but it offers the same sort of bleak character study that he specialized in. Ian McEwan's 2001 novel Atonement opens with a description of what it's like to invent a world. Some of our partners may process your data as a part of their legitimate business interest without asking for consent. We and our partners use cookies to Store and/or access information on a device. Frank, a chef in Las Vegas, meets and falls in love with Lola, a mysterious young woman who is new to the city. Ross puts us directly in Franks perspective for most of the film because the audience is meant to discover the story of Lola and her past with him. Thank you for subscribing! Coming Soon. A chicken dinner. [11], On review aggregator Rotten Tomatoes, the film has an approval rating of 69%, based on reviews from 42 critics, with an average rating of 6.04/10. He's an alluring and dangerous lead, perfectly paired with Poots, who more than holds her own to finally deliver on all the promise she's shown in films less worthy of her talents.[14], Indiewire's Rodrigo Perez reviewed the film, writing, There's a bewitching and intensely intoxicating quality to the opening act of Frank & Lola, a seductive, romantic noir turned psychosexual drama from assured first-time feature director Matthew RossRoss is a major talent worth watching. Originally published at old.cinapse.co on December 14, 2016. Matt Zoller Seitz is the Editor at Largeof RogerEbert.com, TV critic for New York Magazine and Vulture.com, and a finalist for the Pulitzer Prize in criticism. But that is only if you saw the film around the time you had the argument. Although Lola is the focal point of the entire plot and its themes, Frank embodies the result of what women actually require instead of white knights riding in violently to supposedly avenge their victimhood. To read our full stories, please turn off your ad blocker.We'd really appreciate it. Poots sketches Lola vividly, but she remains a relatively opaque presence by comparison to Frank, to whom Shannon brings such deep reserves of suppressed rage that you expect the screen to burst into violence at any moment. Cinemark The replica enthusiastically agrees, and the . This is one of those instances in which divulging the details of the plot overmuch would be unfair to both the film and the audience. I started Wherever I Look back in 2022 and take aimed to be that friend who loves watching various forms of media and talking near it. Ross examines how a woman can be seen outwardly, to the world and to others with whom shes romantically involved with afterwards, and the chaos it wreaks on a womans life in almost every way possible. She goes to stop him but is too late as Frank shoots at Birkhead, killing her immediately. Poots is similarly good It's a sexy, adult thriller that doesn't pander and never feels artificial. However, she is forced to work in Hazels sheep station, where she gets attracted to Max- the charming farm boss with a deep secret. To Lolas surprise, Max stops her and convinces her to stay, by praising her never-give-up spirit and sincerity. Where the somewhat fragmented aspects of the plot would normally make things frustrating, here they make things all the more interesting in the way they symbolize the unpredictability and fragile state of Frank and Lolas relationship. and the The most frustrating thing about realizing it is that it's impossible to know exactly what could have been done to create the spark this movie needed to combust. Speaking of the two leads, the pair has never found a better showcase which shows both of them at their best. The Green Mile concerns the 1935-set story of death row prison guard Paul Edgecomb (Tom Hanks) as he meets and is forever changed by the mild-mannered John Coffey (Michael Clarke Duncan), a physically imposing Black man sentenced to death for the rape and murder of two white girls. Frank & Lola. Nonetheless, neither of their performances I experience stay with you lot. By this time, Frank is so schizophrenic he no longer knows truth from fantasy. Then, theres no turning back. It's a terrific gambit, as well a welcome break from the preferred method of storytelling in romantic dramas, which is more along the lines of, "Hi, John, how is your brother, who I haven't seen in twelve years, and who betrayed me?" Perspective finally begins to bleed into the film, then, but its too little, too late. Summary: Lola receives a phone call from Manni asking for her help to replace 100,000 Marks that he has misplaced on the subway. Directed by Stuart McDonald, it revolves around Lola, a dynamic Los Angeles-based wine executive, who travels to the Australian farmlands to meet Hazel Vaughn, a potential client. After a compelling opener with the characters, Ross takes us inside their beautiful and tragic world, where Lola runs from her former self and Frank comes to grip with the negative side of his fierce masculinity. Frank flies back to Las Vegas, and after having sex with Lola, informs her that he has learned the truth from Alan and announces that he is leaving her. Frank ( Michael Shannon) and Lola (Imogen Poots) are fumbling around the fringes of a relationship, two self-diagnosed fuck-ups who wrestle with the fear that they're wounds run too deep to be. A young daughter, a higher pupil at the time, named Lola meets this chef named Frank. Just what well-nigh the head? Back at Waratah Station, Lola goes for a night out with her new friends at the local pub, but they end up getting into a hilarious bar fight, only to be rescued by Max later. In that Lola, the victim in question, doesnt need anybody to do away with her abuser, nor does she even need him driven forever from her presence. Shannons intensity is the best thing Frank & Lola has going for it. Some may say otherwise, but theres hardly a more attractive and effective poster for any movie being released this year than the one for Frank & Lola, the new noir-soaked romance starring Michael Shannon and Imogen Poots. All rights reserved. Featuring shades of Bret Easton Ellis, Charles Bukowski, and Raymond Carver, Frank & Lola proves an enthralling and intoxicating love story from its upfront beginning to and ending which proves a mix of melancholy and hope. The money is for his gangster boss, who is certain to kill Manni if he doesn't receive it. But the reflection says it all, as the film is, ultimately, about Lola. "Frank and Lola" starts right in the middle of a frank sex scene between its leads, the fortysomething chef Frank (Michael Shannon) and the recent college graduate and would-be fashion designer Lola (Imogen Poots), and it continues in that vein, dropping us into the middle of moments, relationships and predicaments and expecting us to find our way through them. Nyqvist smoothly keeps you guessing until the very end, while Long adds a hint of a possible darker motivation to a character who, on the surface, just seems to be a good-natured back-slapper. Is Waratah Station a Real Sheep Ranch? Once there, Alan becomes suspicious of Frank and deduces that Frank never attended Northwestern University and is in reality there to kill him. The caveman side of masculinity comes between Frank and his better interests. So far, so goodmany a memorable seventies thriller has gotten by on less plot than "Frank and Lola" offers. "[20], At JoBlo.com, Chris Bumbray gave Frank & Lola and 8/10 rating, writing that Even if their relationship is toxic, for some strange reason you want them patch things up and live happily ever after. The finale sees Frank confront this fact. He cleverly lies to Hazel and says that he is offering Lola a promotion in the company, and tries stealing credits for her efforts again. Offers may be subject to change without notice. . By creating an account, you agree to the However, Lola's reflection can be seen in one of the doors, watching Frank, leaving the status of their relationship ambiguous. If Alice wins, she can ask anything she wants of Lola. [5] In July 2015, the Sundance Institute selected Frank & Lola and director Matthew Ross to take part in its Feature Film Program's annual Music and Sound Design Labs at George Lucas's Skywalker Ranch. That chemistry between these two is such a driving forcefulness that it pushes Poots to seem like she can exist more than just the cute blonde romantic interest and makes Shannon seem like he can exist more than this guy you lot would imagine as the perfect movie villain. Not Rated. Your email address will not be published. Cracks begin to show after Lola suddenly cheats on Frank, which leads to Frank's evolving. She hesitantly informs Calder, who decides to go there as well to sabotage her. All he has is his piece of work and while he gets invites from his co-workers to go out and hang, that isnt strongly his interest. The mystery usually associated with the genre grows, but once the plot reveals itself more evidently,Ross film starts to feel more like a look at a complicated romance. And for a split second, you almost allow yourself to think how nice it is to finally see this actor more often than not cast as menacing heavies and squinty creeps playing a romantic lead. [13], In a 4-star review for The Guardian, Nigel Smith wrote: Dark and sexy, Frank & Lola is always one step ahead of its audience, to deliver a haunting examination of male obsession and domination, that also serves as a weird sort of love story Shannon is superb, investing Frank with a surprising amount of tenderness even as he grows increasingly irate with Lola and her profusion of untruths. To give away any more wouldnt be fair, but Frank & Lola ends up having a few too many convenient coincidences and far-fetched twists to be more than the B-movie it is. The first sequence of the movie revolves around Frank taking part in a bizarre quiz show where his various crimes and the punishment he received for them are listed. Frank then tracks Alan down again while he is in Las Vegas, hoping to have another encounter with Lola. Crime, Drama, Mystery, Romance, Thriller. A snippet of conversation. But during one of her wine tasting events, Max suddenly turns up and apologizes for his past behavior. The rest of the cast add significant supporting turns. What I loved about this movie the about was Poots and Shannons chemistry. He is representative of modern men, those who want to be empathetic to the plight of abused women. Franks own personal journey into understanding Lola, what happened to her, takes an atypical turn. Though Lola stops her former boss and refuses his selfish offer, she gets dejected when Hazel decides to give the Vaughn Family Wines contract to Mythos. However, such scenes also serve the story in the way they actually speak to the maddening passion such a relationship causes. He follows the man outside and beats him in a fit of rage. Is Vaughn Family Wines a Real Company? These and other everyday pieces of a life take on greater significance and heartbreaking meaning throughout the course of "The Father.". [2] It was released theatrically and through video on demand on December 9, 2016, by Universal Pictures and Paladin. But the job interview is a pretext to confront the would-be patron (played by Swedish actor Michael Nyqvist), the owner of the Las Vegas hotel where Frank would serve as head chef. Yes. The Latest Podcast #116: Films of Steven Soderbergh, Magic Mikes Last Dance, Horrific Inquiry: MY BLOODY VALENTINE (2009), THE LAST OF US Season 1 Episodes 2-5: Whoa, Were Halfway There, LITTLE DIXIE: Little Gas In Grillo Grit-Pic, YOUR PLACE OR MINE: A Generic Comedy That Promises More Than It Delivers, ALL QUIET ON THE WESTERN FRONT And NARVIK: Germany And Norway Made Very Different Films About War And Trauma, STOLEN YOUTH: INSIDE THE CULT AT SARAH LAWRENCE: A Nightmarish Documentary Of Pain, Trauma And Hope, The Everlasting Beauty Of CHUNGKING EXPRESS, OFF THE RAILS: A Moving Ride On the Tracks Of A Troubled Life. Whether he gets past it, or is eaten alive by it, is left to see. He lovingly confesses his feelings for her and they kiss passionately. Manage Settings Frank is a talented French chef and Lola is just starting her career as a fashion designer. Frank & Lola occasionally benefits from the weird energy shared between Shannon and Poots. The brain tin can easily express thoughts and feelings, just sometimes it is difficult to explain its actions. Directed by Joe Carnahan, this new sci-fi thriller is a fast-paced and fun take on the time-loop genre, that also answers the age-old question of action hero movies: How the hell did he do that?. One which, no thing how much time passes, and how long you take been absent from each othersouthward company, information technology takes one glance and all those old feelings come back and you are back in their lives over again. Frank is a brooding Las Vegas chef who has always focused his energy into his culinary talents, until he meets Lola, a young and beautiful enigma. Meanwhile, the restauranter is impressed with Frank and he gets a job as the head chef in their new Las Vegas restaurant. The biggest point of Lolas story, albeit told at times through the lens of Frank and his experience, is that this struggle is her struggle; its her pain. One night, she confesses shes been raped by an old French lover named Alan (Michael Nyqvist) she knew during her student days in Paris. The two immediately strike sparks and become a couple. Sometime later, Keith's company hosts a dinner at Frank's new restaurant, and Keith congratulates him for his success. Whoever heard of a movie star named Poots? Instead, the filmmaker lards Frank & Lola with red herrings and stock subplots, oscillating between Franks jealousy over Lola, his struggle to land a new stable restaurant gig in the wake of losing a job, and his stalking of one of Lolas past lovers, the rich, powerful, and evilly European Alan (Michael Nyqvist). The love story between the two main characters drives so much of the films intentions, as they work to stay together even after so much hurt. Written (in German, with English subtitles) and directed by Tom Tykwer; director of photography, Frank Griebe; edited by Mathilde Bonnefoy; music by Tykwer, Johnny Klimek and Reinhold Heil; set designer, Alexander Manasse; produced by Stefan Arndt; released by Sony Pictures Classics. But "Frank and Lola" ultimately feels like less of a compelling, free-standing work than a promise of better movies to come. Dont worry, it wont take long. Although they love each other greatly, their romance is one filled with equal parts passion and darkness. His obsessive personality gives way to a dangerous masculinity, one that cannot seem to focus on the plight of his lover, but rather is aimed at the only thing it sees forward: revenge. They excel as lovers in this tightly-wound psychosexual love story that has elements of the best of Eyes Wide ShutFrank & Lola has some of that film's noir-esque aesthetic, too, with hints of Michael Mann's night-time city lookCarried by two accomplished performances, and despite a tight 87-minute running time, this is a rich saga, bathed in atmosphere that disturbs as much as it engrosses. So does Lola finally manage to win the contract as well as his heart? It's certainly not a date movie, and all the better for it.[18], Deadline's Anthony DAlessandro: The former Variety reporter and Filmmaker editor has crafted a complex psycho-sexual love story here, with hues of Jacques Audiard's The Beat That My Heart Skipped, Francis Ford Coppola's The Conversation and Bernardo Bertolucci's Last Tango in Paris, among other titles.[19], The Boston Globe included the film in its "Finding Winners at Sundance" wrap-up, with critic Ty Burr saying that: This feature debut from writer-director Matthew Ross teases intriguing interference patterns out of its various genres, moods, and locationsIt's great to see a Vegas movie without a single scene set in a casino, and when Frank & Lola hops the Atlantic to ParisRoss uses the Marais district and the Place des Vosges with a similarly fresh and unnerving eyeRoss is one to keep an eye on. The supporting cast is filled with ace character actors and rising stars, including Justin Long as a smarmy younger man who says he wants to help Lola with her fashion career and makes that seem like a euphemism. Just confirm how you got your ticket. However, for those like me who take become sort of numb to physical allure, information technology makes you lot very skeptical. Where Frank is allowed a rich interior life and drives much of the action, Lola is primarily his inspiration, the force that compels him to act and react. When they're together, there's a relaxed, whispery quality to their interactions that's at odds with the mad foolish love so much of the plot seems to require. Like Gene Hackman, Shannon brings to his characters a distinctively American working-class mojo, which suggests a talent honed by experience rather than theory, setting him apart from many of the movie stars with whom hes often paired. the Terms and Policies, and to receive email from Rotten Tomatoes. Lola (Imogen Poots) | Frank (Michael Shannon) Storyline. This leads to Frank and his eventual understanding of Lolas tragedy as hers, not his to appropriate. Frank Calvillo 211 Followers Follow More from Medium Alvin Ang in Mind Cafe The problem is that, despite being played by two charismatic and more-than-capable actors, the title characters never click in the way they need to. Frank plays to all of Shannons strengths as an actor, especially when he has to keep his character a rage-filled, yet contained figure, while Poots proves herself the appropriate well that Lola needs to be in order to register as a complex woman she is. And Poots, who seems one film away from becoming a huge movie star, is terrifically unpredictablevulnerable one minute and manipulative the next. None of it makes any sense, and if you think you know how it ends when it fades to black, do send me a postcard. Please click the link below to receive your verification email. Entertainment Weekly is a registered trademark of Meredith Corporation All Rights Reserved. Ross complicates matters a bit with noir tropes (an illicit video, a mystery man, a club orgy that's meant to be the height of decadence), but the film is rooted unquestioningly in masculine propriety. Heartbroken at his lack of effort, Lola sadly bids goodbye to her friends and returns to Los Angeles. Further than that, he offers an antithesis to the rape-revenge sub-genre, all too often adopted as of late by many horror movies. He becomes so unhinged with jealousy that he flies to Paris to track down Alan and beat him up. Our team. His dark side flashes a bit more often, but before Lola ever comes clean, we realize there is unhappiness in her past. Above all, Frank & Lolais a raw and honest look at the consequences of sexual assault on a woman. Ross tells a romantic story in Frank & Lolaof two people hurting each other while only try to love the other as best as they know how. Lola has 20 minutes to find the cash and reach Manni before he resorts to robbing a supermarket.
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